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Summer by Frank W. Benson

plate no. 6397

Summer

Frank W. Benson, 1890

oilImpressionismallegorical paintingfiguretreeslandscapedressscarfsky
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly capturing soft lighting and subtle skin tones, as well as practicing impressionistic brushwork to suggest form and texture.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and the placement of the trees.

  2. step 02

    Establish the background with broad strokes, capturing the sky and distant landscape.

  3. step 03

    Block in the main shapes of the figure, paying attention to proportions and gesture.

  4. step 04

    Begin refining the skin tones, using thin layers of color and soft blending.

  5. step 05

    Add details to the dress and scarf, capturing the folds and patterns with varied brushstrokes.

  6. step 06

    Paint the trees and foliage, using broken color to create a sense of depth and atmosphere.

  7. step 07

    Refine the facial features, focusing on capturing the expression and likeness.

  8. step 08

    Add final highlights and shadows to enhance the form and create a sense of light.

color palette

primary · titanium white · raw umber · alizarin crimson · ultramarine blue

secondary · yellow ochre · cadmium yellow light · violet · sap green

Achieve skin tones by mixing white, raw umber, and alizarin crimson, adjusting proportions for highlights and shadows. Create the scarf's colors by mixing white with violet and touches of yellow and blue.

techniques

  • ·portraiture
  • ·impressionistic brushwork
  • ·glazing
  • ·color mixing
  • ·soft blending

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the subtle nuances of light and shadow.
  • →Losing the impressionistic quality of the brushwork by blending too much.
  • →Incorrect proportions of the figure

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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