apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Summer Afternoon
Summer Afternoon by Ipolit Strambu

plate no. 7104

Summer Afternoon

Ipolit Strambu, 1918

oilImpressionismgenre paintingfiguregardenfoliagefencebookdress
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow in a garden setting and rendering the human figure in a relaxed pose. It also provides practice in creating texture with visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the main elements of the garden.

  2. step 02

    Establish the overall color scheme by blocking in the large areas of color, such as the background foliage and the figure's dress.

  3. step 03

    Develop the light and shadow patterns, paying attention to how the light filters through the trees and illuminates the figure.

  4. step 04

    Add details to the figure, such as the facial features, hands, and clothing folds.

  5. step 05

    Refine the background foliage, adding highlights and shadows to create depth and texture.

  6. step 06

    Pay attention to the details of the fence and the ground.

  7. step 07

    Add final touches and highlights to enhance the overall effect.

  8. step 08

    Step back and evaluate the painting, making any necessary adjustments.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · sap green · cadmium yellow · alizarin crimson

Mix greens by combining yellow ochre and ultramarine blue. Achieve darker tones by adding burnt umber. Use white to lighten values and create highlights.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·wet-on-wet blending
  • ·impasto

common pitfalls

  • →overworking the details
  • →losing the overall light and shadow patterns
  • →using colors that are too saturated
  • →not establishing a clear focal point

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette knife
  • ·linseed oil
  • ·mineral spirits
  • ·oil paints

optional

  • ·palette
  • ·easel
  • ·painting medium

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann