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home·artworks·Sulina House III
Sulina House III by Medi Wechsler Dinu

plate no. 6413

Sulina House III

Medi Wechsler Dinu

oilImpressionismcityscapebuildingwindowsroofskytreesdoor
some experience helpful

This painting offers practice in watercolor techniques like layering and wet-on-wet blending to create soft edges and atmospheric perspective. Students will also learn to suggest texture and detail without overworking the painting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the building, windows, and roof.

  2. step 02

    Apply a light wash of diluted yellow ochre to the building, leaving some areas white for highlights.

  3. step 03

    Add a darker wash of burnt sienna to the roof, varying the intensity for depth.

  4. step 04

    Paint the sky with a diluted blue wash, blending it softly with the building.

  5. step 05

    Add details to the windows with greens, blues, and browns, creating shadows and highlights.

  6. step 06

    Introduce darker washes of brown and gray to the lower part of the building to create shadows and texture.

  7. step 07

    Paint the foliage with varying shades of green, using a loose, impressionistic style.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue

secondary · sap green · raw umber · white (for lightening)

Mix yellow ochre and burnt sienna for the building's warm tones. Use ultramarine blue diluted for the sky. Combine sap green and raw umber for the foliage.

techniques

  • ·wet-on-wet blending
  • ·layering washes
  • ·dry brush texture
  • ·color mixing
  • ·suggesting detail

common pitfalls

  • →Overworking the painting and losing the freshness of the watercolor.
  • →Using too much water and creating muddy colors.
  • →Not allowing washes to dry completely before adding subsequent layers.
  • →Making the building too symmetrical and rigid.

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paper (140lb cold press)
  • ·Watercolor paints (yellow ochre, burnt sienna, ultramarine blue, sap green, raw umber)
  • ·Round watercolor brushes (sizes 4, 8, 12)
  • ·Water container
  • ·Palette for mixing paints
  • ·Paper towels
  • ·Pencil
  • ·Eraser

optional

  • ·Masking fluid
  • ·Palette knife
  • ·Spray bottle

Use good quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve various effects.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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