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home·artworks·Study, St. Malo, No. 12
Study, St. Malo, No. 12 by Maurice Prendergast

plate no. 4440

Study, St. Malo, No. 12

Maurice Prendergast, 1907

oil, panelImpressionismlandscapebeachboatsseaskyfiguresbuildings
some experience helpful

Recreating this painting will help students develop skills in broken color techniques and capturing the essence of a scene with simplified forms and expressive brushstrokes. It also provides practice in color mixing and creating a sense of depth through color and value.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, dividing the canvas into foreground (beach), middle ground (sea), and background (sky).

  2. step 02

    Block in the main color areas for each section using thin washes of color.

  3. step 03

    Start adding details to the sky, using short, broken brushstrokes to represent clouds and light.

  4. step 04

    Develop the sea with varying shades of blue and green, reflecting the sky and the beach.

  5. step 05

    Paint the beach area, focusing on the shapes and colors of the beach huts, figures, and flags.

  6. step 06

    Add details to the boats, using small brushstrokes to suggest their forms and reflections.

  7. step 07

    Refine the overall composition, adjusting colors and values as needed to create a sense of harmony and depth.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · ultramarine blue · yellow ochre · titanium white

secondary · burnt sienna · cadmium red · viridian green

Mix various shades of blue and green for the sea by combining ultramarine blue, viridian green, and white. Create warm tones for the beach by mixing yellow ochre, burnt sienna, and a touch of red.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·alla prima
  • ·color layering

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using colors that are too saturated and not blending them enough.
  • →Failing to establish a clear focal point.
  • →Neglecting the importance of value contrast in creating depth.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (ultramarine blue, yellow ochre, titanium white, burnt sienna, cadmium red, viridian green)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or mineral spirits
  • ·palette knife

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a quick-drying medium to speed up the drying time of the oil paints.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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