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home·artworks·Study of rocks in Cava de' Tirreni
Study of rocks in Cava de' Tirreni by Gabriele Smargiassi

plate no. 7257

Study of rocks in Cava de' Tirreni

Gabriele Smargiassi, 1820

oilRomanticismlandscaperockstreeslandscapemountainsskyfoliage
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding atmospheric perspective. It also provides practice in depicting natural forms with expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the rocks, mountains, and trees, paying attention to the overall composition.

  2. step 02

    Block in the sky with a thin layer of blue, adding hints of white for clouds.

  3. step 03

    Establish the dark values in the foreground and the shadows on the rocks using a mix of browns and greens.

  4. step 04

    Begin layering lighter tones on the rocks to define their form and create highlights.

  5. step 05

    Add details to the trees, using small brushstrokes to suggest foliage.

  6. step 06

    Refine the distant mountains with muted colors to create atmospheric perspective.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and harmony.

  8. step 08

    Add final details and highlights to enhance the overall effect.

color palette

primary · ultramarine blue · burnt umber · titanium white · yellow ochre

secondary · sap green · raw sienna · alizarin crimson

Mix various shades of brown and green by combining burnt umber, yellow ochre, and ultramarine blue. Use white to lighten these colors and create highlights. Achieve atmospheric perspective by muting colors with grey as they recede into the distance.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·layering
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details, leading to a loss of spontaneity.
  • →Creating colors that are too saturated, diminishing the sense of depth.
  • →Ignoring the importance of value contrast, resulting in a flat image.
  • →Failing to establish a clear focal point, making the composition feel disorganized.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-textured canvas to facilitate the application of broken color and dry brush techniques.

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