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home·artworks·Study of LIght and Reflection
Study of LIght and Reflection by Lilla Cabot Perry

plate no. 7148

Study of LIght and Reflection

Lilla Cabot Perry, 1891

oilImpressionismportraitportraitfiguredresswindowtreeslight
some experience helpful

Recreating this painting will help students develop skills in color mixing for skin tones and capturing the effects of light and shadow on a figure. It also provides practice in creating depth and atmosphere through brushwork and color variations.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, window, and background.

  2. step 02

    Establish the overall color scheme by blocking in the main areas of color (dress, skin, background).

  3. step 03

    Begin building up the skin tones with layers of color, paying attention to the subtle variations in light and shadow.

  4. step 04

    Refine the details of the dress, adding highlights and shadows to create form.

  5. step 05

    Develop the background, focusing on capturing the impressionistic quality of the trees and light.

  6. step 06

    Add details to the face, such as the eyes, nose, and mouth, being careful to maintain the overall impressionistic style.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and atmosphere.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ultramarine blue · burnt sienna · titanium white

secondary · yellow ochre · alizarin crimson

Mix various shades of blue and white for the dress. Achieve skin tones by blending burnt sienna, white, and small amounts of red and yellow. Use a mix of blues, greens, and yellows for the background foliage.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·color mixing
  • ·impasto

common pitfalls

  • →Overworking the details and losing the impressionistic quality.
  • →Using colors straight from the tube without mixing them.
  • →Failing to capture the subtle variations in light and shadow.
  • →Getting the proportions of the figure wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (ultramarine blue, burnt sienna, titanium white, yellow ochre, alizarin crimson)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·color wheel

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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