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Study of Flowers by Frederic Bazille

plate no. 4653

Study of Flowers

Frederic Bazille, 1866

oil, canvasImpressionismflower paintingflowerspotsbouquetfoliagestill lifeplants
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and modeling forms with subtle value changes. It also provides practice in capturing the texture of various floral elements using expressive brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and placement of the flower pots and bouquet on the canvas.

  2. step 02

    Block in the background with a dark, muted color.

  3. step 03

    Establish the main color masses for each flower type, focusing on general hues.

  4. step 04

    Begin layering colors within each flower, adding highlights and shadows to define form.

  5. step 05

    Develop the details of the flower pots, paying attention to their texture and form.

  6. step 06

    Refine the bouquet, capturing the variety of flowers and their arrangement.

  7. step 07

    Add details to the foliage, using varied greens and browns.

  8. step 08

    Adjust the overall values and colors to create a harmonious composition.

color palette

primary · burnt umber · titanium white · cadmium red · ultramarine blue

secondary · yellow ochre · sap green · alizarin crimson · violet

Achieve the various floral hues by mixing the primary colors with white and small amounts of secondary colors. Use burnt umber and white for the earthy tones of the pots and background. Mix greens by combining blue and yellow.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·layering
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the subtle value changes within each flower.
  • →Creating overly sharp edges, which can flatten the forms.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (burnt umber, titanium white, cadmium red, ultramarine blue, yellow ochre, sap green, alizarin crimson)
  • ·assorted brushes (round and flat, sizes 2-8)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·painting knife

Use high-quality oil paints for best results. Pre-toned canvas with a thin layer of burnt umber can help establish a warm undertone.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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