apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Study of Ferns
Study of Ferns by Mary Josephine Walters

plate no. 6940

Study of Ferns

Mary Josephine Walters

oilRomanticismlandscaperocksfernstreesfoliageforestlandscape
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding atmospheric perspective in a landscape setting. Students will also learn to depict natural forms with loose, expressive brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the rocks, trees, and foliage, paying attention to the overall composition.

  2. step 02

    Establish the background by applying thin washes of color to create the atmospheric perspective.

  3. step 03

    Begin layering darker tones to define the shadows and create depth within the foliage and around the rocks.

  4. step 04

    Gradually build up the textures of the rocks using a variety of brushstrokes and color variations.

  5. step 05

    Add details to the ferns and other foliage, using lighter greens and yellows to highlight the areas catching the light.

  6. step 06

    Refine the edges of the rocks and foliage to create a sense of realism and detail.

  7. step 07

    Add final highlights and shadows to enhance the contrast and create a sense of depth.

  8. step 08

    Review the painting and make any necessary adjustments to the colors, values, and textures.

color palette

primary · burnt umber · raw sienna · sap green · titanium white

secondary · cadmium yellow · ultramarine blue · yellow ochre

Mix greens by combining sap green with yellow ochre or cadmium yellow. Create earth tones by mixing burnt umber with raw sienna and a touch of blue. Use white to lighten values and create highlights.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·blending
  • ·atmospheric perspective

common pitfalls

  • →overworking the details
  • →creating flat, lifeless colors
  • →ignoring the importance of value contrast
  • →not establishing a clear focal point

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·sap green oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·easel

Use a limited palette to create harmonious color relationships. Thin the oil paints with linseed oil for smoother application and blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke