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home·artworks·Study of Christ for the Last Supper
Study of Christ for the Last Supper by Leonardo da Vinci

plate no. 1791

Study of Christ for the Last Supper

Leonardo da Vinci, 1500

oilHigh Renaissancesketch and studyportraitfigureChristfacehairreligious
some experience helpful

Recreating this study will help students understand the use of chiaroscuro to model form and the importance of expressive linework in capturing emotion. It's a great exercise in tonal drawing and understanding anatomy.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 7 steps

  1. step 01

    Lightly sketch the overall shape and proportions of the head and shoulders.

  2. step 02

    Establish the main light and shadow areas with broad, light strokes.

  3. step 03

    Refine the facial features, paying close attention to the angles of the eyes, nose, and mouth.

  4. step 04

    Develop the hair with flowing, directional strokes, varying the pressure to create depth.

  5. step 05

    Add darker accents to deepen the shadows and define the contours.

  6. step 06

    Soften edges and blend tones where necessary to create a sense of volume.

  7. step 07

    Add subtle highlights to catch the light and bring the figure to life.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · titanium white

Mix burnt umber with varying amounts of raw sienna to create a range of warm browns. Add a touch of ivory black to darken shadows. Use titanium white sparingly for highlights.

techniques

  • ·hatching
  • ·cross-hatching
  • ·blending
  • ·tonal shading
  • ·contour drawing

common pitfalls

  • →Overworking the drawing and losing the freshness of the sketch.
  • →Failing to establish a clear light source.
  • →Ignoring the underlying anatomy and proportions.
  • →Making the lines too uniform and lacking variation.

materials

surface · toned drawing paper

required

  • ·charcoal pencils (soft, medium, hard)
  • ·kneaded eraser
  • ·drawing paper (toned or off-white)
  • ·blending stump
  • ·fixative spray
  • ·ruler

optional

  • ·white chalk pencil
  • ·sandpaper block

Choose a paper with a slightly textured surface to allow for better blending and layering of charcoal.

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oil painting for beginners →how to learn by studying the masters →
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