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home·artworks·Study from Life for the Portrait of King Alfons XIII
Study from Life for the Portrait of King Alfons XIII by Ramon Casas

plate no. 5237

Study from Life for the Portrait of King Alfons XIII

Ramon Casas

oilRomanticismportraitportraitfigurehatclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with subtle value changes. It also provides practice in creating a sense of depth and atmosphere using a limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, paying attention to the placement of the head, shoulders, and hat.

  2. step 02

    Establish the background color with a thin wash of burnt sienna and red, creating a gradient from lighter at the top to darker at the bottom.

  3. step 03

    Block in the main areas of the figure with dark values, using a mixture of burnt umber and black for the clothing and hat.

  4. step 04

    Begin to build up the form of the face with lighter values, using a mixture of white, yellow ochre, and a touch of red.

  5. step 05

    Refine the details of the face, paying attention to the highlights and shadows that define the features.

  6. step 06

    Add subtle color variations to the clothing and hat, using small amounts of blue or green to create depth.

  7. step 07

    Soften the edges of the forms with a soft brush to create a sense of atmosphere.

  8. step 08

    Add final highlights and details to the face and clothing to complete the painting.

color palette

primary · burnt sienna · burnt umber · titanium white

secondary · black · yellow ochre · cadmium red

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Darken colors with burnt umber or black. Create subtle variations by adding small amounts of blue or green.

techniques

  • ·underpainting
  • ·blending
  • ·scumbling
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Overworking the details of the face too early in the process.
  • →Creating harsh edges that detract from the overall atmosphere.
  • →Failing to establish a strong value structure.
  • →Using too much color and losing the muted tonal quality.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·burnt sienna oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a fine weave to allow for smooth blending. Consider toning the canvas with a thin wash of burnt sienna before starting to paint.

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oil painting for beginners →how to learn by studying the masters →
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