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home·artworks·Study for The Leaping Horse (View on the Stour)
Study for The Leaping Horse (View on the Stour) by John Constable

plate no. 2481

Study for The Leaping Horse (View on the Stour)

John Constable

oil, canvasRomanticismlandscapelandscaperivertreescloudsbridgebuildings
some experience helpful

Recreating this painting will help students develop skills in capturing atmospheric perspective and using loose brushwork to suggest detail rather than rendering it precisely. It also provides practice in mixing muted colors and creating a sense of depth through value changes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horizon line, river, trees, and buildings.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar neutral color.

  3. step 03

    Block in the sky with broad strokes, capturing the shapes of the clouds and the overall light.

  4. step 04

    Paint the distant landscape with lighter, cooler colors to create atmospheric perspective.

  5. step 05

    Develop the trees and foliage with varied greens and browns, using broken brushstrokes to suggest texture.

  6. step 06

    Paint the river with horizontal strokes, reflecting the colors of the sky and surrounding landscape.

  7. step 07

    Add details to the buildings and bridge, keeping them relatively simple and understated.

  8. step 08

    Refine the highlights and shadows to create depth and dimension.

color palette

primary · ultramarine blue · raw umber · titanium white · yellow ochre

secondary · burnt sienna · cadmium yellow light · ivory black

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve atmospheric perspective by adding white to colors for distant objects.

techniques

  • ·broken brushstrokes
  • ·atmospheric perspective
  • ·scumbling
  • ·wet-on-dry blending
  • ·layering

common pitfalls

  • →Overworking the details and losing the loose, painterly quality.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too bright or saturated.
  • →Ignoring the value structure and focusing only on color.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·round brushes (#2, #6)
  • ·flat brushes (#4, #8)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a canvas with a medium texture to allow for broken brushstrokes. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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