apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Study for 'A summer morning'
Study for 'A summer morning' by Rupert Bunny

plate no. 1127

Study for 'A summer morning'

Rupert Bunny, 1908

oilImpressionismgenre paintingfiguresinteriordressmirrorwindowdomestic scene
some experience helpful

Recreating this painting will help students develop skills in capturing fleeting moments and using loose brushwork to suggest form rather than define it precisely. It also provides practice in creating a sense of depth and atmosphere with a limited palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and compositional elements, focusing on proportions and placement.

  2. step 02

    Block in the large areas of color, starting with the darkest values in the background and working towards the lighter areas.

  3. step 03

    Begin to refine the shapes of the figures, paying attention to the way light falls across their forms.

  4. step 04

    Add details such as the mirror, window, and other objects in the room.

  5. step 05

    Use loose, expressive brushstrokes to create texture and movement.

  6. step 06

    Soften edges and blend colors where necessary to create a sense of atmosphere.

  7. step 07

    Add final highlights and shadows to enhance the sense of depth and form.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments.

color palette

primary · titanium white · ivory black · raw umber

secondary · cadmium red light · ultramarine blue

Mix various shades of gray and off-white by combining white, black, and a touch of raw umber. Use small amounts of red and blue to create subtle color variations in the figures and background.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·limited palette

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.
  • →Neglecting the importance of edges and transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (titanium white, ivory black, raw umber, cadmium red light, ultramarine blue)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a canvas with a medium texture to allow for expressive brushwork.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann