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home·artworks·Studio of The Rue Visconti
Studio of The Rue Visconti by Frederic Bazille

plate no. 2251

Studio of The Rue Visconti

Frederic Bazille, 1867

oilImpressionisminteriorstudiointeriorpaintingsfurniturepalettefireplace
some experience helpful

Recreating this painting will help students develop skills in depicting atmospheric perspective and rendering textures with visible brushstrokes. Students will also learn to create a sense of depth through careful observation of light and shadow.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and perspective lines of the room, including the furniture and paintings.

  2. step 02

    Block in the large areas of color, focusing on the overall value structure.

  3. step 03

    Establish the darkest and lightest areas to create a sense of depth.

  4. step 04

    Begin adding details to the furniture and paintings, using visible brushstrokes to create texture.

  5. step 05

    Mix subtle variations of the main colors to add depth and realism.

  6. step 06

    Pay attention to the direction of light and how it affects the colors and shadows.

  7. step 07

    Refine the details and add highlights to create a sense of realism.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments.

color palette

primary · raw umber · yellow ochre · titanium white

secondary · burnt sienna · ivory black · cadmium yellow

Achieve the muted tones by mixing raw umber with white and small amounts of yellow ochre and burnt sienna. Use ivory black sparingly to darken areas.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·visible brushstrokes
  • ·tonal painting

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the effects of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·medium round brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a canvas with a medium texture to allow for visible brushstrokes. Consider toning the canvas with a thin wash of raw umber before starting to create a warmer base.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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