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home·artworks·Studio in the rue de Furstenberg
Studio in the rue de Furstenberg by Frederic Bazille

plate no. 8414

Studio in the rue de Furstenberg

Frederic Bazille, 1865

oil, canvasImpressionisminteriorinteriorstudiopaintingsfurnituredoorwaytable
some experience helpful

Recreating this painting will help students develop skills in depicting spatial relationships and rendering textures with visible brushstrokes. It also provides practice in capturing the nuances of light and shadow in an interior setting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the room and furniture.

  2. step 02

    Block in the main color areas: walls, floor, furniture, and paintings.

  3. step 03

    Establish the light source and begin to define the shadows and highlights.

  4. step 04

    Develop the textures of the walls, floor, and furniture using visible brushstrokes.

  5. step 05

    Paint the smaller paintings on the wall, focusing on their general color and form.

  6. step 06

    Add details to the furniture, such as the chair's upholstery and the table's surface.

  7. step 07

    Refine the lighting and shadows to create depth and atmosphere.

  8. step 08

    Add final details, such as the objects on the table and the paint box on the floor.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · viridian · cadmium yellow · alizarin crimson

Achieve the muted tones by mixing earth colors with white and small amounts of other colors. Use glazes of thinned color to create depth and subtle variations.

techniques

  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·broken color
  • ·atmospheric perspective

common pitfalls

  • →Getting the perspective wrong, which will distort the space.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using colors that are too saturated, which will clash with the muted palette.
  • →Failing to capture the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·viridian oil paint
  • ·round brushes
  • ·flat brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·painting medium

Use a medium-grain canvas for a good balance of texture and smoothness. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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