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home·artworks·Sts Michael and John Gualbert
Sts Michael and John Gualbert by Andrea del Sarto

plate no. 1013

Sts Michael and John Gualbert

Andrea del Sarto, 1528

wood, temperaMannerism (Late Renaissance)religious paintingfiguresangelsaintreligiousarmorsword
experienced study

Recreating this painting will help students develop skills in portraiture, drapery rendering, and creating a sense of depth through subtle value changes. It also provides practice in depicting metallic surfaces and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the composition and proportions of the figures.

  2. step 02

    Establish the background with a thin wash of muted blues and grays.

  3. step 03

    Block in the basic shapes and colors of the figures, focusing on accurate proportions and anatomical details.

  4. step 04

    Develop the drapery folds and shadows, paying attention to the way light interacts with the fabric.

  5. step 05

    Render the faces and hands, focusing on capturing the expressions and subtle details.

  6. step 06

    Paint the armor and metallic elements, using highlights and shadows to create a sense of realism.

  7. step 07

    Add details such as the sword, scales, and other accessories.

  8. step 08

    Refine the overall painting, adjusting values and colors as needed to create a cohesive and harmonious image.

color palette

primary · ochre · burnt umber · titanium white · cadmium red

secondary · ultramarine blue · ivory black · yellow ochre

Achieve the subtle skin tones by mixing ochre, burnt umber, and titanium white. Use ultramarine blue and ivory black to create the cool grays for the armor. Mix cadmium red with burnt umber for the reds in the clothing.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting
  • ·portraiture

common pitfalls

  • →Inaccurate proportions of the figures.
  • →Overly harsh or abrupt transitions between values.
  • →Lack of attention to detail in the drapery folds.
  • →Failure to capture the subtle expressions of the faces.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a more harmonious color palette.

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