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home·artworks·Sts Anthony the Hermit, Cornelius and Mary Magdalen with a Donor
Sts Anthony the Hermit, Cornelius and Mary Magdalen with a Donor by Stefan Lochner

plate no. 1117

Sts Anthony the Hermit, Cornelius and Mary Magdalen with a Donor

Stefan Lochner, 1445

oilInternational Gothicreligious paintingfiguresreligiousrobeshalodonorcross
some experience helpful

Recreating this painting will help students develop skills in rendering drapery folds and achieving smooth transitions in skin tones. It also provides practice in depicting figures with realistic proportions and expressions.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Block in the main colors of the background and figures using thin washes.

  3. step 03

    Begin layering colors on the robes, paying attention to the light and shadow to create volume.

  4. step 04

    Refine the facial features, focusing on accurate proportions and subtle shading.

  5. step 05

    Add details such as the halos, cross, and other symbolic objects.

  6. step 06

    Work on the kneeling figure, paying attention to the foreshortening and drapery.

  7. step 07

    Adjust the overall color balance and contrast to create a harmonious composition.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · red · green · beige · black

secondary · white · gold · brown

Mix various shades of red and green by adding white, black, or brown to the base colors. Achieve skin tones by mixing white, red, yellow, and a touch of blue.

techniques

  • ·glazing
  • ·layering
  • ·blending
  • ·underpainting
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Inaccurate proportions of the figures.
  • →Using colors that are too saturated or unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·linseed oil (if using oil paints)
  • ·mineral spirits (if using oil paints)
  • ·soft cloth

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality paints for best results. Consider using a toned canvas to create a more unified color palette.

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oil painting for beginners →how to learn by studying the masters →
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