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home·artworks·Street Towards Montmartre
Street Towards Montmartre by Rudolf Schweitzer-Cumpana

plate no. 7754

Street Towards Montmartre

Rudolf Schweitzer-Cumpana

oilImpressionismcityscapestreetbuildingscityscapearchitecturesky
some experience helpful

Recreating this painting will help students practice loose brushwork and color mixing to create a sense of depth and atmosphere. It also provides an opportunity to understand and apply the principles of perspective in a cityscape.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the buildings and street.

  2. step 02

    Block in the main areas of color with thin washes, focusing on the overall value structure.

  3. step 03

    Start adding thicker paint and visible brushstrokes to define the forms and create texture.

  4. step 04

    Mix subtle variations of color to represent light and shadow on the buildings.

  5. step 05

    Use short, broken strokes to suggest details like windows and rooftops.

  6. step 06

    Pay attention to the edges of shapes, softening some and sharpening others to create depth.

  7. step 07

    Add final highlights and details to bring the painting to life.

  8. step 08

    Step back and assess the overall balance and harmony of the painting, making any necessary adjustments.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue · titanium white

secondary · cadmium red · viridian green

Mix various shades of browns and grays by combining the primary colors. Use white to lighten values and create highlights. Add small amounts of red or green to create warmer or cooler tones.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·alla prima
  • ·atmospheric perspective

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Creating overly sharp or defined edges.
  • →Failing to establish a clear sense of perspective.
  • →Using colors that are too saturated or intense.
  • →Not varying the brushstrokes enough to create visual interest.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine or mineral spirits

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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