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home·artworks·Street Scene, Granada
Street Scene, Granada by Clarence Gagnon

plate no. 5230

Street Scene, Granada

Clarence Gagnon, 1904

oilImpressionismcityscapebuildingsstreetfigureshadowsarchitecturecityscape
some experience helpful

Recreating this painting will help students develop skills in applying impressionistic brushstrokes and understanding how light and shadow define form. It's a good exercise in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and the figure, focusing on proportions and perspective.

  2. step 02

    Establish the darkest shadow areas with a dark brown or black.

  3. step 03

    Block in the main colors of the buildings, street, and sky using broad brushstrokes.

  4. step 04

    Begin layering lighter tones on the sunlit areas of the buildings, using short, broken brushstrokes.

  5. step 05

    Add details to the windows and doors, paying attention to the shapes of the shadows.

  6. step 06

    Refine the figure with simple shapes and colors, suggesting form with light and shadow.

  7. step 07

    Add highlights and details to the street, using a dry brush technique to create texture.

  8. step 08

    Make final adjustments to the values and colors to create a sense of depth and atmosphere.

color palette

primary · titanium white · raw umber · ultramarine blue

secondary · yellow ochre · burnt sienna · ivory black

Mix white with small amounts of raw umber and yellow ochre to create the various shades of the buildings. Use ultramarine blue and white for the sky, and add a touch of raw umber to create the shadows.

techniques

  • ·broken color
  • ·dry brush
  • ·scumbling
  • ·layering
  • ·value studies

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Not establishing a strong value structure early on.
  • →Using colors straight from the tube without mixing them.
  • →Making the brushstrokes too uniform and losing the sense of texture.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·acrylic or oil paints
  • ·round brushes sizes 2, 4, 6
  • ·flat brush size 8
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits (if using oil paints)

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

A slightly textured canvas will help to create a more impressionistic effect. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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