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home·artworks·Street in Samois
Street in Samois by Odilon Redon

plate no. 5906

Street in Samois

Odilon Redon, 1888

oilImpressionismcityscapestreetbuildingsskyarchitectureshadowsvegetation
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and broken color techniques to create a sense of depth and light.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the buildings and street.

  2. step 02

    Block in the large areas of color for the sky, buildings, and ground, focusing on the overall value relationships.

  3. step 03

    Begin adding layers of broken color to the sky, buildings, and ground, using short, choppy brushstrokes.

  4. step 04

    Develop the shadows and highlights on the buildings and street, paying attention to the direction of light.

  5. step 05

    Add details such as windows, doors, and vegetation, using smaller brushes.

  6. step 06

    Refine the edges of the buildings and objects, softening some areas and sharpening others.

  7. step 07

    Add final touches and highlights to create a sense of depth and atmosphere.

  8. step 08

    Step back and assess the painting, making any necessary adjustments.

color palette

primary · ultramarine blue · yellow ochre · raw umber · titanium white

secondary · burnt sienna · sap green

Mix blues and white for the sky, varying the proportions for subtle shifts in tone. Use yellow ochre, raw umber, and white for the buildings and street, adding touches of burnt sienna for warmth and sap green for vegetation.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·layering
  • ·color temperature

common pitfalls

  • →Overblending the colors, resulting in a flat, lifeless appearance.
  • →Ignoring the importance of value relationships, leading to a lack of depth.
  • →Getting bogged down in details too early in the process.
  • →Not creating enough variation in color and texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette of colors to simplify the mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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