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home·artworks·Street in Portsmouth
Street in Portsmouth by Childe Hassam

plate no. 9196

Street in Portsmouth

Childe Hassam, 1917

oilImpressionismcityscapebuildingstreesskystreetarchitecturefoliage
some experience helpful

This painting offers a good opportunity to practice loose watercolor washes and capturing light and shadow on architectural forms. Students can develop skills in creating depth through layering and color variation.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, trees, and horizon line.

  2. step 02

    Apply a light wash of blue for the sky, allowing it to blend and vary in tone.

  3. step 03

    Paint the distant background elements (lighthouse, hills) with diluted washes of green and gray.

  4. step 04

    Begin layering washes on the buildings, using a mix of grays, blues, and yellows to create shadows and highlights.

  5. step 05

    Add the darker accents of the windows and shutters with a smaller brush.

  6. step 06

    Paint the foliage using a variety of greens and blues, suggesting the shapes of leaves with loose brushstrokes.

  7. step 07

    Add details to the foreground, such as the fence and street, using similar techniques.

  8. step 08

    Refine the details and adjust the values as needed to create a sense of depth and atmosphere.

color palette

primary · cerulean blue · raw sienna · payne's gray

secondary · sap green · cadmium yellow pale · alizarin crimson

Mix grays by combining Payne's gray with raw sienna or burnt umber. Create variations in the greens by mixing sap green with cadmium yellow or cerulean blue. Use alizarin crimson sparingly to add warmth to shadows.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·layering washes
  • ·color mixing
  • ·negative painting

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Using too much water and creating muddy colors.
  • →Not varying the values enough to create a sense of depth.
  • →Making the colors too saturated.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor brushes (round and flat)
  • ·watercolor paper (140lb cold press)
  • ·palette
  • ·water container
  • ·masking tape
  • ·sketching pencil

optional

  • ·palette knife
  • ·gouache
  • ·ruler

Use high-quality watercolor paints for best results. Experiment with different brush sizes and shapes to achieve a variety of effects.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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