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home·artworks·Street in Paris
Street in Paris by Rudolf Schweitzer-Cumpana

plate no. 4008

Street in Paris

Rudolf Schweitzer-Cumpana, 1931

oilImpressionismcityscapestreetbuildingsfigurecityscapelamp post
some experience helpful

This painting is great for practicing loose watercolor washes and capturing atmospheric perspective. Students will develop skills in simplifying complex scenes and creating a sense of depth.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the street, buildings, and figure.

  2. step 02

    Apply a light wash of diluted yellow ochre or raw sienna over the entire paper to create a warm base tone.

  3. step 03

    Using a larger brush, apply washes of diluted browns and grays to establish the shadows and darker areas of the buildings and street.

  4. step 04

    Add hints of blue and green to the buildings on the left side to suggest cooler shadows.

  5. step 05

    Paint the figure in the foreground with a dark, muted color, focusing on its silhouette rather than details.

  6. step 06

    Add details like the lamp post and signage with a smaller brush, using darker tones and hints of blue and red.

  7. step 07

    Use a dry brush technique to add texture and details to the buildings and street surface.

  8. step 08

    Lift color with a clean, damp brush or paper towel to create highlights and soften edges.

color palette

primary · yellow ochre · burnt umber · payne's gray

secondary · ultramarine blue · cadmium red light

Mix browns and grays by combining burnt umber, yellow ochre, and payne's gray. Use diluted washes for lighter tones and build up layers for darker areas. Add a touch of blue to darken shadows.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·lifting color
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Making the colors too saturated and bright.
  • →Not establishing a clear sense of perspective.
  • →Ignoring the importance of value contrast in creating depth.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (sizes 4, 8, 12)
  • ·water container
  • ·palette
  • ·paper towels
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·palette knife
  • ·spray bottle

Use good quality watercolor paper to prevent buckling and allow for easier blending. Experiment with different brush sizes to achieve varying levels of detail.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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