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home·artworks·Street in Osny
Street in Osny by Paul Gauguin

plate no. 5689

Street in Osny

Paul Gauguin, 1883

oil, canvasImpressionismlandscapelandscapevillagetreesskyfiguresroad
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, and in simplifying complex scenes into basic shapes and values. It also provides practice in capturing the fleeting effects of light and atmosphere.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the main shapes and perspective of the road.

  2. step 02

    Block in the sky with light blue and white, blending softly.

  3. step 03

    Establish the horizon line and the general areas of the fields and trees with thin washes of green and brown.

  4. step 04

    Begin layering colors on the road, using ochre, sienna, and touches of white to create the dusty texture.

  5. step 05

    Add the buildings and figures, paying attention to their relative sizes and positions.

  6. step 06

    Develop the foliage with short, broken brushstrokes of various greens and browns.

  7. step 07

    Refine the details and add highlights to create a sense of light and shadow.

  8. step 08

    Add final touches and adjust colors as needed to achieve a harmonious overall effect.

color palette

primary · yellow ochre · ultramarine blue · burnt sienna · titanium white

secondary · sap green · raw umber · cadmium yellow light

Mix various shades of green by combining blue and yellow. Achieve the earthy tones of the road by mixing ochre, sienna, and umber with white. Use white to lighten and soften the colors.

techniques

  • ·broken brushstrokes
  • ·layering
  • ·color mixing
  • ·atmospheric perspective
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Using colors straight from the tube without mixing them.
  • →Ignoring the importance of value contrast in creating depth.
  • →Failing to establish a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·#4 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-tooth canvas for best results. Consider using a fast-drying medium to speed up the drying time.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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