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home·artworks·Street in Montmartre
Street in Montmartre by Rudolf Schweitzer-Cumpana

plate no. 8369

Street in Montmartre

Rudolf Schweitzer-Cumpana, 1932

oilImpressionismcityscapebuildingsstreetcityscapearchitecturewindowsalley
some experience helpful

Recreating this painting will help students develop skills in impasto techniques and understanding how to simplify complex scenes into basic shapes and values. It also provides practice in color mixing to achieve a harmonious, warm palette.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings and street, focusing on perspective.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber.

  3. step 03

    Block in the main color areas: the buildings, street, and sky, using a limited palette.

  4. step 04

    Apply thicker paint with visible brushstrokes to create texture and dimension.

  5. step 05

    Add highlights and shadows to define the forms and create depth.

  6. step 06

    Refine the details of the windows, doors, and other architectural elements.

  7. step 07

    Adjust the color and value relationships to create a sense of atmosphere.

  8. step 08

    Add final touches and details to complete the painting.

color palette

primary · yellow ochre · burnt sienna · titanium white

secondary · ultramarine blue · raw umber · cadmium red

Mix yellow ochre and burnt sienna with white for the buildings. Use ultramarine blue and raw umber to create grays and blacks for shadows. Add small amounts of cadmium red to warm up the browns and yellows.

techniques

  • ·impasto
  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·directional brushstrokes

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Getting bogged down in details too early.
  • →Not paying attention to the value relationships.
  • →Using too many colors and creating a muddy palette.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-textured canvas to enhance the impasto effect. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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