apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Street in Cairo
Street in Cairo by Konstantin Makovsky

plate no. 7920

Street in Cairo

Konstantin Makovsky, 1873

oilRomanticismgenre paintingstreetfiguresarchitecturebuildingsmarketcityscape
some experience helpful

Recreating this painting will help students develop skills in depicting atmospheric perspective and rendering complex textures with visible brushstrokes. It also provides practice in capturing the nuances of light and shadow in an urban environment.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the street and the placement of buildings and figures.

  2. step 02

    Establish the main light source and map out the areas of light and shadow.

  3. step 03

    Block in the large shapes of the buildings and ground with thin washes of color.

  4. step 04

    Begin adding details to the architecture, paying attention to the textures of the walls and the patterns of light and shadow.

  5. step 05

    Paint the figures, starting with the larger shapes and gradually adding details.

  6. step 06

    Refine the colors and values throughout the painting, adjusting the atmospheric perspective as needed.

  7. step 07

    Add final details, such as the hanging lanterns and the textures of the fabrics.

  8. step 08

    Glaze with thin layers to unify the colors and create depth.

color palette

primary · yellow ochre · raw umber · burnt sienna · titanium white

secondary · ultramarine blue · cadmium red · viridian

Achieve the earthy tones by mixing yellow ochre, raw umber, and burnt sienna. Use ultramarine blue to create cool shadows and atmospheric perspective. Mix small amounts of cadmium red to warm up the browns.

techniques

  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a strong sense of perspective.
  • →Overworking the colors and losing the freshness of the brushstrokes.
  • →Ignoring the atmospheric perspective and creating a flat, lifeless image.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas to capture the textures of the buildings. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke