apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·STREET IN BRODEK U KONICE
STREET IN BRODEK U KONICE by JAROSLAV KELUC

plate no. 3685

STREET IN BRODEK U KONICE

JAROSLAV KELUC, 1962

oilImpressionismlandscapestreetsnowhousestreeswinterlamp post
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, and in using expressive brushstrokes to capture the feeling of a winter landscape. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the houses, road, trees, and lamp post, focusing on proportions and perspective.

  2. step 02

    Establish the overall color scheme by applying a thin wash of blue for the sky and snow, and brown for the buildings and trees.

  3. step 03

    Begin layering colors to define the forms, using short, broken brushstrokes to create texture in the snow and foliage.

  4. step 04

    Add darker values to create shadows and define the shapes of the buildings and trees.

  5. step 05

    Introduce warmer tones to the road and the area around the lamp post to create contrast and visual interest.

  6. step 06

    Refine the details of the trees and branches, using a smaller brush to add finer lines and textures.

  7. step 07

    Add highlights to the snow and buildings to create a sense of light and atmosphere.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and expressive composition.

color palette

primary · Prussian blue · Burnt umber · Yellow ochre

secondary · Titanium white · Cadmium orange · Payne's gray

Mix Prussian blue with white for the sky and snow shadows. Combine burnt umber and yellow ochre for the road and buildings. Use Payne's gray sparingly to darken shadows.

techniques

  • ·Broken brushstrokes
  • ·Layering
  • ·Color mixing
  • ·Impasto
  • ·Scumbling

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Using too much white and creating a flat, lifeless effect.
  • →Ignoring the subtle color variations in the snow and shadows.
  • →Failing to establish a clear focal point.

materials

surface · Stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Acrylic or oil paints
  • ·Round brushes (#2, #6)
  • ·Flat brushes (#4, #8)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Rags

optional

  • ·Medium (for oil paints)
  • ·Easel
  • ·Apron

Use good quality paints for best results. Consider using a toned canvas to create a more unified color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann