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home·artworks·Street in Athens
Street in Athens by Rudolf Schweitzer-Cumpana

plate no. 5773

Street in Athens

Rudolf Schweitzer-Cumpana

oilImpressionismcityscapebuildingsstreettreesfigureskycityscape
some experience helpful

This painting provides practice in layering colors and creating texture with visible brushstrokes to depict light and form. Students will learn to simplify complex scenes into basic shapes and color blocks.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, trees, and figures, focusing on composition.

  2. step 02

    Block in the sky with light blue, using broken brushstrokes to suggest clouds.

  3. step 03

    Establish the main color blocks for the buildings using a mix of yellows, oranges, and reds.

  4. step 04

    Add shadows and highlights to the buildings, using cooler tones for shadows and warmer tones for highlights.

  5. step 05

    Paint the trees with greens and browns, using short, choppy brushstrokes to create texture.

  6. step 06

    Add the figures in the street, simplifying their forms and using similar colors to the surrounding buildings.

  7. step 07

    Refine the details and add texture with thicker paint and visible brushstrokes.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and light.

color palette

primary · titanium white · yellow ochre · cadmium red · ultramarine blue

secondary · burnt sienna · viridian green · cadmium yellow

Mix white with yellow ochre and a touch of red for the sunlit walls. Use ultramarine blue and burnt sienna for shadows. Mix greens from blue and yellow.

techniques

  • ·impasto
  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·color layering

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Creating mud by over-mixing colors on the palette.
  • →Ignoring the importance of light and shadow in creating form.
  • →Getting bogged down in details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-textured canvas to enhance the impasto effect. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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