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home·artworks·Street from Barbizon during summer time
Street from Barbizon during summer time by Ion Andreescu

plate no. 6226

Street from Barbizon during summer time

Ion Andreescu

oilImpressionismcityscapestreetbuildingstreesfiguresskyvillage
some experience helpful

Recreating this painting will help students practice loose brushwork and capturing the overall impression of a scene rather than precise details. Students will also learn to mix subtle variations of color to create depth and atmosphere.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, street, trees, and figures, paying attention to perspective.

  2. step 02

    Block in the sky with a thin wash of blues and grays, suggesting cloud formations.

  3. step 03

    Establish the main values of the buildings, using a limited palette of whites, grays, and browns.

  4. step 04

    Paint the trees with loose, gestural strokes, mixing greens, yellows, and browns to create variations in foliage.

  5. step 05

    Add the figures with quick, simplified brushstrokes, focusing on their silhouettes and placement within the scene.

  6. step 06

    Refine the details of the street, using horizontal strokes to suggest the road surface and adding subtle variations in color.

  7. step 07

    Add highlights and shadows to create depth and dimension throughout the painting.

  8. step 08

    Review the painting and make any necessary adjustments to the composition, color, or values.

color palette

primary · titanium white · ultramarine blue · raw umber · yellow ochre

secondary · cadmium yellow · burnt sienna · ivory black

Mix grays by combining white, black, and a touch of blue or brown. Achieve greens by mixing blue and yellow, and adjust the tone with brown or white.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·alla prima
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Using too much paint and creating a muddy appearance.
  • →Neglecting the importance of value contrast in creating depth.
  • →Failing to capture the loose, gestural brushwork of the original painting.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-tooth canvas for best results. Consider using a fast-drying medium to speed up the drying time.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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