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home·artworks·Street During Winter
Street During Winter by Rudolf Schweitzer-Cumpana

plate no. 2798

Street During Winter

Rudolf Schweitzer-Cumpana, 1934

oilImpressionismlandscapestreettreesbuildingslandscapewinterpath
some experience helpful

Recreating this painting will help students develop skills in impressionistic brushwork and layering colors to create depth and texture. It also provides practice in capturing the mood of a winter scene using a limited color palette.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the street, trees, and buildings.

  2. step 02

    Establish the dark background with a mix of dark greens and browns.

  3. step 03

    Block in the general shapes of the street and buildings with lighter tones of ochre, yellow, and white.

  4. step 04

    Add texture to the street using short, broken brushstrokes and varying the color slightly.

  5. step 05

    Define the trees with vertical strokes, using darker colors for the trunks and lighter colors for the branches.

  6. step 06

    Add highlights to the buildings to create a sense of form and dimension.

  7. step 07

    Refine the details and adjust the values to create a cohesive and atmospheric scene.

  8. step 08

    Add final touches and highlights to enhance the overall impression.

color palette

primary · raw umber · yellow ochre · titanium white · sap green

secondary · burnt sienna · ultramarine blue · cadmium yellow light

Mix dark greens by combining ultramarine blue and yellow ochre. Create earthy tones by mixing raw umber with yellow ochre and white. Use burnt sienna to add warmth and contrast.

techniques

  • ·impasto
  • ·broken color
  • ·dry brushing
  • ·layering
  • ·scumbling

common pitfalls

  • →Overworking the painting and losing the loose, impressionistic feel.
  • →Using too much detail and creating a cluttered composition.
  • →Failing to establish a strong value structure.
  • →Not varying the brushstrokes enough to create texture.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (raw umber, yellow ochre, titanium white, sap green, burnt sienna, ultramarine blue, cadmium yellow light)
  • ·palette
  • ·assorted brushes (flat, round)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for better texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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