apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Street Corner Merchants
Street Corner Merchants by Henri Catargi

plate no. 5546

Street Corner Merchants

Henri Catargi, 1959

oilImpressionismcityscapebuildingtreesfiguresstreetcityscape
suitable for beginners

This painting is great for practicing loose watercolor washes and capturing light and shadow with minimal detail. Students will learn to suggest forms rather than rendering them precisely.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: building, tree, figures, and ground.

  2. step 02

    Apply a light wash of diluted yellow ochre or raw sienna to the entire paper as a base tone.

  3. step 03

    Begin with the sky and background, using a very diluted wash of blue or grey.

  4. step 04

    Paint the building using a light wash of white mixed with a touch of burnt sienna, leaving some areas unpainted for highlights.

  5. step 05

    Add darker washes of burnt sienna and umber to define the shadows on the building and ground.

  6. step 06

    Paint the tree with a mix of green, brown, and yellow, using loose, expressive brushstrokes.

  7. step 07

    Add the figures using simple shapes and washes of color, focusing on their silhouettes.

  8. step 08

    Add final details and accents with a small brush, such as the lines of the building and the details of the figures.

color palette

primary · burnt sienna · yellow ochre · titanium white

secondary · ultramarine blue · raw umber · cadmium red light

Achieve the muted tones by mixing complementary colors (e.g., burnt sienna and ultramarine blue). Dilute colors significantly with water for transparent washes.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·watercolor washes
  • ·lifting color
  • ·suggestive brushstrokes

common pitfalls

  • →Overworking the painting and losing the freshness of the washes.
  • →Using colors that are too saturated.
  • →Defining edges too sharply.
  • →Making the sketch too detailed before applying the washes.

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paper 140lb
  • ·Watercolor paints (burnt sienna, yellow ochre, ultramarine blue, titanium white)
  • ·Round watercolor brushes (sizes 4, 8, 12)
  • ·Water container
  • ·Palette
  • ·Pencil
  • ·Eraser

optional

  • ·Masking fluid
  • ·Palette knife
  • ·Spray bottle

Use a good quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve varied textures.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann