
plate no. 5546
Henri Catargi, 1959
This painting is great for practicing loose watercolor washes and capturing light and shadow with minimal detail. Students will learn to suggest forms rather than rendering them precisely.
technical profile
approach — 8 steps
Lightly sketch the main shapes: building, tree, figures, and ground.
Apply a light wash of diluted yellow ochre or raw sienna to the entire paper as a base tone.
Begin with the sky and background, using a very diluted wash of blue or grey.
Paint the building using a light wash of white mixed with a touch of burnt sienna, leaving some areas unpainted for highlights.
Add darker washes of burnt sienna and umber to define the shadows on the building and ground.
Paint the tree with a mix of green, brown, and yellow, using loose, expressive brushstrokes.
Add the figures using simple shapes and washes of color, focusing on their silhouettes.
Add final details and accents with a small brush, such as the lines of the building and the details of the figures.
color palette
primary · burnt sienna · yellow ochre · titanium white
secondary · ultramarine blue · raw umber · cadmium red light
Achieve the muted tones by mixing complementary colors (e.g., burnt sienna and ultramarine blue). Dilute colors significantly with water for transparent washes.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use a good quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve varied textures.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
related guides
in this vein