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home·artworks·Street, Antibes
Street, Antibes by Eugene Boudin

plate no. 8502

Street, Antibes

Eugene Boudin, 1893

oilImpressionismcityscapecanalbuildingsbridgewaterboatssky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for subtle variations, and capturing reflections in water. Students will also learn to simplify complex architectural details using impressionistic brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, bridge, and canal.

  2. step 02

    Block in the main color areas: sky, buildings, water, and bridge, using thin washes.

  3. step 03

    Develop the sky with soft, blended brushstrokes, creating a sense of atmospheric perspective.

  4. step 04

    Add details to the buildings, using a variety of warm and cool tones to create depth and texture.

  5. step 05

    Paint the bridge, focusing on the subtle color variations and the play of light and shadow.

  6. step 06

    Create the reflections in the water, using broken brushstrokes and slightly darker values.

  7. step 07

    Add the boats and figures, simplifying the details and focusing on their overall shape and form.

  8. step 08

    Refine the details and add highlights to create a sense of realism and depth.

color palette

primary · raw umber · titanium white · ultramarine blue

secondary · yellow ochre · burnt sienna · cadmium yellow

Mix various shades of gray for the sky by combining ultramarine blue, raw umber, and titanium white. Use yellow ochre and burnt sienna to create the warm tones of the buildings and bridge. Add small amounts of cadmium yellow for highlights.

techniques

  • ·wet-on-wet blending
  • ·broken brushstrokes
  • ·atmospheric perspective
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overworking the details
  • →Using too much detail in the reflections
  • →Creating muddy colors by overmixing
  • →Ignoring the atmospheric perspective

materials

surface · stretched canvas

required

  • ·Stretched canvas 12x16
  • ·Oil paints: raw umber, titanium white, ultramarine blue, yellow ochre, burnt sienna, cadmium yellow
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Medium gloss
  • ·Easel

Use a limited palette to simplify the color mixing process. Consider using a toned canvas to create a more unified color scheme.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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