apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Strada Sfinții Apostoli
Strada Sfinții Apostoli by Theodor Pallady

plate no. 8394

Strada Sfinții Apostoli

Theodor Pallady, 1949

oilImpressionismcityscapebuildingsarchitecturetreecityscapestreet
some experience helpful

Recreating this painting will help students develop skills in loose sketching, watercolor washes, and capturing the essence of a scene with minimal detail. It also encourages observation of light and shadow in architectural forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 4 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and the tree using a pencil.

  2. step 02

    Apply a thin wash of diluted burnt sienna to the areas representing brick or stone.

  3. step 03

    Add a light blue wash to the sky and the area representing the street.

  4. step 04

    Use a slightly darker mix of burnt sienna and a touch of black to define the shadows on the buildings.

  5. step 05

    Paint the tree leaves with a mix of blue and a hint of green, using loose brushstrokes.

  6. step 06

    Add details to the windows and doors with a dark brown or black.

  7. step 07

    Use a fine brush or pen to reinforce the outlines and add finer details.

  8. step 08

    Adjust the values and colors as needed to create depth and atmosphere.

color palette

primary · burnt sienna · titanium white · cerulean blue

secondary · black · raw umber · yellow ochre

Mix burnt sienna with white for the walls, add a touch of black for shadows. Use cerulean blue straight from the tube for the sky and mix with a touch of yellow ochre for the tree.

techniques

  • ·watercolor wash
  • ·dry brush
  • ·sketching
  • ·layering
  • ·line work

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Using too much water and creating muddy colors.
  • →Not establishing a clear value structure.
  • →Making the sketch too rigid and precise.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor brushes (round and flat)
  • ·watercolor paper (140lb)
  • ·pencil (HB)
  • ·eraser
  • ·water container
  • ·palette
  • ·paper towels

optional

  • ·ruler
  • ·masking fluid
  • ·palette knife

Use good quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve different effects.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann