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home·artworks·Stradă în Tunis
Stradă în Tunis by Samuel Mutzner

plate no. 9013

Stradă în Tunis

Samuel Mutzner, 1921

oilImpressionismgenre paintingstreet scenefiguresbuildingsarchitecturecityscapemarket
some experience helpful

Recreating this painting will help students develop skills in capturing atmospheric perspective and simplifying complex scenes into basic shapes and colors. It also provides practice in depicting figures in a loose, impressionistic style.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the buildings and the placement of the figures.

  2. step 02

    Block in the large areas of color, starting with the sky and the general tones of the buildings.

  3. step 03

    Establish the darkest and lightest values to create a sense of depth and form.

  4. step 04

    Add details to the buildings, such as windows and architectural features, using short, broken brushstrokes.

  5. step 05

    Paint the figures using simplified shapes and colors, focusing on capturing their gestures and movement.

  6. step 06

    Refine the colors and values, paying attention to the atmospheric perspective and the way colors fade into the distance.

  7. step 07

    Add highlights and shadows to create a sense of form and dimension.

  8. step 08

    Make final adjustments to the composition and details, ensuring that the painting has a sense of unity and harmony.

color palette

primary · titanium white · raw umber · burnt sienna · ultramarine blue

secondary · cadmium red light · yellow ochre · ivory black

Mix various shades of gray and brown by combining raw umber, burnt sienna, ultramarine blue, and white. Use small amounts of cadmium red and yellow ochre to create warmer tones for the buildings and figures.

techniques

  • ·broken color
  • ·dry brush
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →overworking the details
  • →using colors that are too saturated
  • →creating a flat, lifeless painting
  • →losing the sense of atmosphere

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·#4 round brush
  • ·#6 flat brush
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a canvas with a medium texture to allow for the broken brushstrokes to be more visible. Consider toning the canvas with a thin wash of raw umber before starting to paint.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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