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home·artworks·Stormy sea with ship wreck
Stormy sea with ship wreck by Marcus Larson

plate no. 6839

Stormy sea with ship wreck

Marcus Larson, 1857

oilRomanticismmarinaseashipwreckrocksstormcloudsfigures
experienced study

Recreating this painting will help students develop skills in depicting dynamic water movement and creating atmospheric perspective through value and color variations. It also provides practice in rendering complex textures of rocks and stormy skies.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
5
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the shipwreck, rocks, and horizon line.

  2. step 02

    Establish the dark and light areas with a thin wash of burnt umber and ultramarine blue.

  3. step 03

    Block in the sky with broad strokes, blending the dark storm clouds with the lighter areas.

  4. step 04

    Begin building up the rocks with layers of browns, ochres, and whites, paying attention to the light and shadow.

  5. step 05

    Develop the water, using short, choppy strokes to create texture and movement.

  6. step 06

    Add highlights to the waves and rocks to create a sense of depth and dimension.

  7. step 07

    Paint in the figures and shipwreck details, using a small brush.

  8. step 08

    Refine the overall composition and add final details, such as the birds and debris in the water.

color palette

primary · burnt umber · ultramarine blue · titanium white

secondary · yellow ochre · raw sienna · cadmium red

Mix various shades of brown and grey by combining burnt umber, ultramarine blue, and white. Use yellow ochre and raw sienna to create warm highlights on the rocks and waves. Add a touch of cadmium red for the red flag and other warm accents.

techniques

  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·broken color
  • ·impasto

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Creating flat, lifeless water by not varying the brushstrokes and values.
  • →Ignoring the importance of edges and losing the sense of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (burnt umber, ultramarine blue, titanium white, yellow ochre, raw sienna, cadmium red)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify the color mixing process.

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