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home·artworks·Stormy Sea
Stormy Sea by Marcus Larson

plate no. 9367

Stormy Sea

Marcus Larson, 1857

oilRomanticismmarinaseashipcloudsstormwavessky
experienced study

Recreating this painting will help students develop skills in blending colors to create atmospheric effects and rendering realistic waves using layering and highlights. It also provides practice in depicting a complex subject like a ship in perspective.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
5
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, ship placement, and major cloud formations.

  2. step 02

    Establish the overall color scheme by applying a thin wash of burnt sienna and yellow ochre across the canvas.

  3. step 03

    Begin blocking in the dark areas of the clouds using a mix of burnt umber and black, gradually blending into the lighter areas.

  4. step 04

    Start building up the waves using layers of dark browns, blues, and whites, paying attention to the direction and flow of the water.

  5. step 05

    Paint the ship, focusing on accurate proportions and details, using a fine brush for the rigging.

  6. step 06

    Add highlights to the waves and ship using titanium white, creating a sense of depth and realism.

  7. step 07

    Refine the details of the clouds and sky, adding subtle color variations and softening edges.

  8. step 08

    Add final touches, such as the birds and small details on the ship, to complete the painting.

color palette

primary · burnt sienna · yellow ochre · titanium white

secondary · burnt umber · black · ultramarine blue

Achieve the golden sky by mixing yellow ochre with burnt sienna and a touch of white. Darken the clouds with burnt umber and black, and create the waves by blending blues, browns, and whites.

techniques

  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·blending
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much paint and creating a muddy effect.
  • →Ignoring the direction and flow of the waves.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paints and improve blending.

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