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home·artworks·Stormy Day
Stormy Day by Edward E. Simmons

plate no. 0274

Stormy Day

Edward E. Simmons

oilImpressionismlandscapelandscapetreesskycloudsroadfields
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and broken color techniques to create depth and visual interest. Students will also practice simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the horizon line and placement of major trees and the road.

  2. step 02

    Block in the sky with broad strokes of blue and white, indicating cloud formations.

  3. step 03

    Establish the base colors for the distant hills and fields, using muted browns and greens.

  4. step 04

    Paint the road with varying shades of gray and brown, suggesting texture and perspective.

  5. step 05

    Add the trees, using a mix of greens, yellows, and browns to capture the foliage.

  6. step 06

    Introduce highlights and shadows to create depth and dimension in the trees and foliage.

  7. step 07

    Add details like the fence posts and any small figures or buildings in the distance.

  8. step 08

    Refine the overall painting, adjusting colors and values as needed to achieve a cohesive and atmospheric effect.

color palette

primary · ultramarine blue · titanium white · burnt umber · yellow ochre

secondary · sap green · cadmium red

Mix blue and white for the sky, adding small amounts of yellow or red to create subtle variations. Use burnt umber and white for the road, adding touches of blue or green to cool the tones. Mix greens with yellow ochre and blue, adding touches of red to mute the color.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Failing to establish a clear sense of atmospheric perspective, making the painting appear flat.
  • →Using colors that are too saturated, resulting in an unrealistic and jarring effect.
  • →Neglecting the importance of value contrast in creating depth and dimension.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·#6 round brush
  • ·#8 flat brush
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette knife

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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