apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Storm over a Bridge in Southern France
Storm over a Bridge in Southern France by Winston Churchill

plate no. 3720

Storm over a Bridge in Southern France

Winston Churchill

oilImpressionismlandscapebridgetreesskywaterlandscapeclouds
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing reflections in water. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line, bridge placement, and major landforms.

  2. step 02

    Block in the sky with broad strokes, establishing the dark storm clouds and lighter areas.

  3. step 03

    Establish the values of the distant mountains and hills, using lighter, cooler colors for atmospheric perspective.

  4. step 04

    Paint the land areas, focusing on the overall shapes and values before adding details.

  5. step 05

    Block in the bridge and its reflections in the water, paying attention to the shapes and angles.

  6. step 06

    Add the trees and other details, using varied brushstrokes to create texture.

  7. step 07

    Refine the reflections in the water, using broken brushstrokes and subtle color variations.

  8. step 08

    Add final highlights and shadows to enhance the depth and dimension of the painting.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium yellow · alizarin crimson

Mix various shades of gray and brown by combining ultramarine blue, burnt umber, and white. Use yellow ochre and white for the bridge and land. Add small amounts of cadmium yellow or alizarin crimson to warm up the colors.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Making the reflections too literal and symmetrical.
  • →Not simplifying the scene enough.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·#6 round brush
  • ·#8 flat brush
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette knife

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-textured canvas to allow for easier blending and texture creation.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann