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Storm Cloud by Albert Julius Olsson

plate no. 1821

Storm Cloud

Albert Julius Olsson

oilImpressionismmarinaseacloudsskywavesstormboat
some experience helpful

Recreating this painting will help students develop skills in depicting atmospheric perspective and rendering dynamic water movement with loose brushstrokes. It also provides practice in mixing subtle color variations to create depth and mood.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the large cloud formations.

  2. step 02

    Establish the overall value structure by blocking in the dark areas of the sea and the shadowed parts of the clouds.

  3. step 03

    Begin layering in the sky, blending blues, grays, and whites to create a sense of atmosphere.

  4. step 04

    Develop the cloud forms, using thicker paint and visible brushstrokes to suggest texture and volume.

  5. step 05

    Work on the water, using a variety of greens, blues, and browns to capture the movement and depth of the waves.

  6. step 06

    Add highlights to the waves and clouds to create contrast and visual interest.

  7. step 07

    Refine the details, such as the distant boat and any birds in the sky.

  8. step 08

    Add final glazes to unify the painting and adjust the overall color balance.

color palette

primary · ultramarine blue · titanium white · raw umber

secondary · viridian green · yellow ochre · payne's gray

Achieve the cloud colors by mixing white with small amounts of blue, umber, and ochre. The water requires mixing blues and greens with umber and white to create the varying depths and tones.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·layering

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.
  • →Ignoring the atmospheric perspective, causing the painting to look flat.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·retouch varnish
  • ·easel

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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