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home·artworks·Stonehenge
Stonehenge by John Constable

plate no. 0926

Stonehenge

John Constable, 1835

watercolor, paperRomanticismlandscapestonehengelandscapeskycloudsfieldmonument
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing dramatic lighting effects. It will also improve their ability to suggest texture and form with loose, expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of Stonehenge and the horizon line.

  2. step 02

    Block in the sky with diluted washes of blue and gray, creating a sense of depth and storminess.

  3. step 03

    Add darker tones to the clouds to create shadows and volume.

  4. step 04

    Paint the stones with a mix of grays, browns, and whites, paying attention to the direction of light.

  5. step 05

    Use dry brush techniques to add texture to the stones and the ground.

  6. step 06

    Add details to the foreground, such as small rocks and grass.

  7. step 07

    Glaze thin washes of brown and yellow over the ground to unify the composition.

  8. step 08

    Add final highlights to the stones and clouds to enhance the dramatic effect.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · payne's gray

Mix ultramarine blue and burnt umber for the darker sky tones. Use varying amounts of white to create different shades of gray for the stones and clouds. Yellow ochre can be added to burnt umber for the ground.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·atmospheric perspective
  • ·glazing
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the loose, expressive quality.
  • →Not creating enough contrast between the light and dark areas.
  • →Making the stones too uniform in color and texture.
  • →Ignoring the atmospheric perspective and making the background too sharp.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints (ultramarine blue, burnt umber, titanium white, yellow ochre, payne's gray)
  • ·round brushes (various sizes)
  • ·flat brush
  • ·water container
  • ·palette
  • ·masking tape
  • ·kneaded eraser

optional

  • ·palette knife
  • ·watercolor pencils
  • ·rigger brush

Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes and techniques to achieve the desired texture.

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watercolor techniques →how to learn by studying the masters →
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