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home·artworks·Still Life with Yellow Jar
Still Life with Yellow Jar by Kmetty János

plate no. 5526

Still Life with Yellow Jar

Kmetty János, 1930

oilImpressionismstill lifestill lifetablefruitjarcupchair
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve muted tones and understanding how to depict form with simple brushstrokes. It also provides practice in arranging a still life composition.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition of the still life, paying attention to proportions.

  2. step 02

    Block in the main color areas with thin washes, starting with the background and largest shapes.

  3. step 03

    Gradually build up layers of paint, adding darker values to create shadows and depth.

  4. step 04

    Mix subtle color variations to represent the different surfaces and textures of the objects.

  5. step 05

    Define the edges of the objects with careful brushstrokes, softening some edges for a more impressionistic feel.

  6. step 06

    Add highlights to create a sense of light and form.

  7. step 07

    Refine the details, such as the patterns on the cloth and the shapes of the fruit.

  8. step 08

    Step back and assess the overall balance and harmony of the painting, making any necessary adjustments.

color palette

primary · yellow ochre · ultramarine blue · burnt sienna · titanium white

secondary · cadmium orange · viridian green · raw umber

Achieve the muted tones by mixing complementary colors and adding white. Use yellow ochre and ultramarine for the greens, burnt sienna and ultramarine for the browns and grays.

techniques

  • ·blocking in
  • ·layering
  • ·dry brushing
  • ·color mixing
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the subtle value changes.
  • →Incorrect proportions in the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·easel

Use a medium-textured canvas to allow for expressive brushstrokes. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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