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home·artworks·Still Life with White Pitcher
Still Life with White Pitcher by Adolphe Joseph Thomas Monticelli

plate no. 2219

Still Life with White Pitcher

Adolphe Joseph Thomas Monticelli

oilRomanticismstill lifestill lifefruitpitchertableclothglassplate
some experience helpful

Recreating this painting will help students develop skills in impasto techniques and color mixing to create texture and form. It also encourages observation of subtle color variations within a limited palette.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition lightly on the canvas.

  2. step 02

    Block in the background with dark browns and reds.

  3. step 03

    Establish the main shapes of the fruit, pitcher, and glass with basic colors.

  4. step 04

    Build up texture on the pitcher and tablecloth using thick impasto strokes.

  5. step 05

    Add highlights and shadows to define the forms of the fruit and other objects.

  6. step 06

    Work on the details of the tablecloth pattern, using small, deliberate brushstrokes.

  7. step 07

    Refine the edges and details of the objects to create a sense of depth.

  8. step 08

    Add final touches and highlights to complete the painting.

color palette

primary · burnt umber · yellow ochre · titanium white · cadmium yellow

secondary · alizarin crimson · viridian green · ultramarine blue

Achieve the various browns and earth tones by mixing burnt umber with small amounts of other colors. Use white to lighten values and create highlights. Mix greens from yellow and blue, muting with red or brown.

techniques

  • ·impasto
  • ·broken color
  • ·scumbling
  • ·color mixing
  • ·layering

common pitfalls

  • →Overworking the details in the tablecloth, losing the overall impression.
  • →Using colors straight from the tube without mixing, resulting in a flat appearance.
  • →Not creating enough contrast between light and shadow, making the painting look muddy.
  • →Failing to capture the texture and form of the objects through brushwork.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended.

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oil painting for beginners →how to learn by studying the masters →
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