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home·artworks·Still life with red background
Still life with red background by William Balthazar Rose

plate no. 4360

Still life with red background

William Balthazar Rose

oilMagic Realismstill lifestill lifechess boardshellsguitarvasesbottles
some experience helpful

Recreating this painting will help students develop skills in observing and rendering subtle color variations in light and shadow, as well as creating texture with visible brushstrokes. Students will also learn about composition and arranging objects in a still life.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and placement of the objects on the canvas.

  2. step 02

    Block in the background with a thin layer of mixed reds and browns.

  3. step 03

    Establish the main value ranges for each object, focusing on the light and shadow patterns.

  4. step 04

    Begin layering colors to build up the forms, paying attention to the subtle shifts in hue and value.

  5. step 05

    Add details such as the patterns on the shells and the chessboard.

  6. step 06

    Refine the edges of the objects and create a sense of depth by softening some edges and sharpening others.

  7. step 07

    Add highlights and shadows to create a sense of volume and form.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and balanced composition.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · viridian green · ivory black · yellow ochre

Mix browns and reds with white to create the various shades of the background and objects. Use green and black sparingly to create shadows and darker areas.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·color mixing
  • ·value studies

common pitfalls

  • →Getting the proportions of the objects wrong.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Not paying attention to the subtle color variations in the light and shadow.
  • →Creating muddy colors by overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette of colors to simplify the mixing process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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