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home·artworks·Still life with quinces
Still life with quinces by Pericles Pantazis

plate no. 7731

Still life with quinces

Pericles Pantazis, 1880

oilImpressionismstill lifefruitstill lifepearsquincesleavestablecloth
some experience helpful

Recreating this painting will help students understand how to depict form through subtle value changes and how to create a sense of depth using a limited color palette. It also offers practice in capturing the texture of different surfaces with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and placement of the fruits and leaves on the canvas.

  2. step 02

    Establish the background with a dark, muted tone, blending it smoothly.

  3. step 03

    Block in the main shapes of the fruits with a base color of light green/yellow.

  4. step 04

    Add shadows and highlights to the fruits, using darker greens and yellows for shadows and lighter yellows and whites for highlights.

  5. step 05

    Paint the leaves with a mix of blues and greens, paying attention to their shapes and the way they overlap.

  6. step 06

    Create the tablecloth with a base of white, adding subtle shadows and highlights to suggest folds and texture.

  7. step 07

    Refine the details of the fruits and leaves, adding small touches of color and texture to make them more realistic.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of depth and dimension.

color palette

primary · yellow ochre · viridian green · titanium white

secondary · ultramarine blue · burnt umber

Mix greens by combining yellow ochre and viridian green. Create shadows by adding burnt umber or ultramarine blue to the base colors. Use white to lighten colors for highlights.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·blending
  • ·value studies

common pitfalls

  • →Overblending, which can flatten the forms.
  • →Using too much detail too early, which can make the painting look overworked.
  • →Ignoring the subtle value changes, which can make the fruits look flat.
  • →Not paying attention to the edges of the forms, which can make them look undefined.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Oil paints (yellow ochre, viridian green, titanium white, ultramarine blue, burnt umber)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grain canvas for better texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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