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home·artworks·Still Life with Narcissus and Mirror
Still Life with Narcissus and Mirror by Theodor Pallady

plate no. 7837

Still Life with Narcissus and Mirror

Theodor Pallady, 1940

oilImpressionismstill lifestill lifeflowersmirrorfruittableobjects
some experience helpful

Recreating this painting will help students practice layering colors to create depth and form, as well as understanding how light interacts with different surfaces. It also provides practice in capturing the essence of objects rather than precise detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition lightly on the canvas, paying attention to proportions.

  2. step 02

    Block in the main color areas with thin washes, starting with the background and largest shapes.

  3. step 03

    Develop the colors of the red box, green plate, and other objects, layering and blending as needed.

  4. step 04

    Add the yellow flowers, focusing on capturing their form and texture with short, broken brushstrokes.

  5. step 05

    Paint the mirror and its reflection, using darker tones to create depth.

  6. step 06

    Refine the details of the objects, such as the knife, bottle, and fruit, adding highlights and shadows.

  7. step 07

    Adjust the overall color balance and value contrast to create a harmonious composition.

  8. step 08

    Add final details and highlights to enhance the realism and visual interest.

color palette

primary · cadmium yellow · burnt sienna · viridian green · titanium white

secondary · ivory black · ultramarine blue · raw umber

Mix greens by combining viridian green with yellow and white. Achieve the red box color by mixing burnt sienna with a touch of black and white for highlights. Use white and a touch of blue to create the light background.

techniques

  • ·broken color
  • ·layering
  • ·scumbling
  • ·color mixing
  • ·impasto

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Using colors straight from the tube without mixing them.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle color variations within each object.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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