apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Still life with a doll
Still life with a doll by Vasyl Hryhorovych Krychevsky

plate no. 6283

Still life with a doll

Vasyl Hryhorovych Krychevsky, 1949

oilImpressionismstill lifedollblockspalm treerugseasky
some experience helpful

This painting provides a good opportunity to practice layering colors and creating texture with visible brushstrokes. Students can also develop skills in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, paying attention to the placement of the doll, blocks, and palm tree.

  2. step 02

    Block in the large areas of color: sky, sea, rug, blocks, doll's clothing, and palm tree.

  3. step 03

    Add darker values to create shadows and define the forms of the blocks and doll.

  4. step 04

    Introduce lighter values to highlight areas and create a sense of depth.

  5. step 05

    Develop the details of the doll's face and clothing, using small brushstrokes.

  6. step 06

    Add texture to the rug and palm tree leaves with broken color and varied brushstrokes.

  7. step 07

    Refine the edges and shapes of the blocks to create a more realistic appearance.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt sienna · cerulean blue · cadmium red · emerald green

secondary · titanium white · yellow ochre · ultramarine blue

Mix burnt sienna with white for the blocks, adding touches of yellow ochre for warmth. Use cerulean blue and white for the sky, adding ultramarine for darker areas. Mix greens from blue and yellow, adding white to lighten.

techniques

  • ·blocking in
  • ·layering
  • ·broken color
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Focusing too much on detail too early in the process.
  • →Ignoring the underlying structure of the forms.
  • →Creating overly smooth surfaces, losing the texture of the brushstrokes.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·acrylic or oil paints
  • ·round brushes (#2, #6)
  • ·flat brush (#8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)
  • ·mineral spirits (for cleaning)

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a limited palette to simplify color mixing. Acrylics will dry faster, while oils allow for more blending time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann