apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Still Life
Still Life by Vsevolod Maksymovych

plate no. 8167

Still Life

Vsevolod Maksymovych

oilArt Nouveau (Modern)flower paintingflowersvasestill lifetablebackground pattern
some experience helpful

Recreating this painting will help students develop skills in layering colors, creating texture with visible brushstrokes, and simplifying complex forms into basic shapes. It also encourages experimentation with color mixing to achieve a muted, harmonious palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the vase, flowers, and background pattern using light pencil lines.

  2. step 02

    Apply a thin wash of burnt umber or a similar earth tone to the entire canvas as an underpainting.

  3. step 03

    Block in the main color areas for the background, table, vase, and flowers using simplified shapes.

  4. step 04

    Begin layering colors within each area, focusing on capturing the subtle variations in tone and hue.

  5. step 05

    Use thicker paint and visible brushstrokes to add texture and definition to the flowers and vase.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the details of the background pattern and the overall composition.

  8. step 08

    Add the gold outlines last.

color palette

primary · burnt umber · rose madder · yellow ochre

secondary · cadmium red · titanium white · ivory black

Achieve the muted tones by mixing complementary colors (e.g., red and green, blue and orange) with white or black. Use yellow ochre to warm up the browns and reds.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·layering
  • ·color mixing
  • ·impasto

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Using colors straight from the tube without mixing and muting them.
  • →Making the background too distracting from the main subject.
  • →Not establishing a strong value structure early on.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (burnt umber, rose madder, yellow ochre, cadmium red, titanium white, ivory black)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish

Use a medium-tooth canvas to enhance the texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois