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home·artworks·Still Life
Still Life by Francis Picabia

plate no. 9111

Still Life

Francis Picabia, 1908

oilImpressionismstill lifestill lifetablefruitbottlewindowflowers
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations and practice applying impressionistic brushstrokes to build form and texture.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition: the table, fruit bowl, bottle, and window.

  2. step 02

    Establish the background colors with broad strokes, focusing on the overall light and shadow.

  3. step 03

    Block in the main colors of the table, fruit, and bottle, using broken color techniques.

  4. step 04

    Begin layering colors to create depth and dimension in the fruit and flowers.

  5. step 05

    Add details to the bottle and glass, paying attention to reflections and highlights.

  6. step 06

    Refine the background with more color variations and textures.

  7. step 07

    Add final touches and highlights to enhance the overall impressionistic effect.

  8. step 08

    Step back and adjust colors and values as needed to achieve a harmonious balance.

color palette

primary · yellow ochre · ultramarine blue · titanium white · cadmium yellow

secondary · burnt sienna · viridian green · alizarin crimson

Mix white with yellow ochre and a touch of blue to create the light tones of the table. Use varying amounts of blue and yellow to create the greens for the foliage. Mix red and yellow to achieve the peach hues.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·color mixing
  • ·layering

common pitfalls

  • →Over-blending colors, resulting in a muddy appearance.
  • →Neglecting to vary brushstrokes, leading to a flat texture.
  • →Ignoring the subtle color variations in the shadows and highlights.
  • →Focusing too much on detail in the initial stages.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (yellow ochre, ultramarine blue, titanium white, cadmium yellow, burnt sienna, viridian green, alizarin crimson)
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·varnish

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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