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home·artworks·Stevenstift in Leiden
Stevenstift in Leiden by Max Liebermann

plate no. 2837

Stevenstift in Leiden

Max Liebermann, 1889

oilImpressionismgenre paintingbuildingfiguresgardentreespathstreet
some experience helpful

Recreating this painting will help students develop skills in impressionistic brushwork and creating depth through atmospheric perspective. It also provides practice in depicting figures in a natural setting.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the building and the placement of the figures.

  2. step 02

    Establish the main color blocks: the building, the garden, the path, and the sky.

  3. step 03

    Begin layering the foliage with short, broken brushstrokes, varying the greens and adding hints of other colors.

  4. step 04

    Paint the building, paying attention to the light and shadow on the facade.

  5. step 05

    Add details to the figures, keeping them loose and impressionistic.

  6. step 06

    Develop the path with varied browns and grays, using directional strokes to create a sense of depth.

  7. step 07

    Refine the details in the garden, adding touches of red and white for the flowers.

  8. step 08

    Add final highlights and shadows to enhance the overall depth and realism.

color palette

primary · olive green · burnt umber · titanium white · cadmium yellow

secondary · cadmium red · ultramarine blue · yellow ochre

Mix greens by combining yellow, blue, and brown. Achieve the building's gray tones by mixing white, brown, and a touch of blue. Use white to lighten colors and create highlights.

techniques

  • ·broken brushstrokes
  • ·scumbling
  • ·atmospheric perspective
  • ·color mixing
  • ·layering

common pitfalls

  • →Overworking the details, resulting in a stiff and unnatural look.
  • →Failing to establish a clear sense of perspective.
  • →Using too much pure color without mixing, leading to a flat and unrealistic appearance.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·round brushes (#2, #6)
  • ·flat brushes (#4, #8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-textured canvas to enhance the brushwork. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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