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home·artworks·Stephane Mallarme
Stephane Mallarme by Edouard Manet

plate no. 2354

Stephane Mallarme

Edouard Manet, 1876

oil, canvasImpressionismportraitportraitfiguremanbookchairinterior
some experience helpful

Recreating this painting will help students develop skills in capturing likeness with loose brushwork and understanding how to suggest form with subtle value changes. It also offers practice in painting skin tones and rendering textures with expressive strokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, chair, and book.

  2. step 02

    Establish the background color with a thin wash of burnt umber and ochre.

  3. step 03

    Block in the main areas of color: the dark coat, the lighter chair, and the skin tones.

  4. step 04

    Begin adding details to the face, focusing on capturing the likeness with broad strokes.

  5. step 05

    Develop the folds and shadows in the coat and chair, using darker values.

  6. step 06

    Add highlights to the face, hands, and book to create depth and dimension.

  7. step 07

    Refine the background details and add subtle variations in color.

  8. step 08

    Add final touches and adjust values as needed to create a cohesive composition.

color palette

primary · ivory black · burnt umber · yellow ochre

secondary · titanium white · cadmium red light · ultramarine blue

Mix skin tones using white, red, yellow ochre, and a touch of burnt umber. Achieve the dark coat color by mixing black with a hint of blue and umber. The background is primarily a mix of burnt umber and yellow ochre, lightened with white.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·expressive brushwork

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Struggling to capture the likeness of the subject.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a clear value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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