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home·artworks·Ste. Catherine
Ste. Catherine by Mary Lizzie Macomber

plate no. 9316

Ste. Catherine

Mary Lizzie Macomber, 1896

oilRomanticismreligious paintingfigurelilypottile floorbenchmosaic background
some experience helpful

Recreating this painting will help students develop skills in rendering realistic skin tones and drapery folds. It also provides practice in creating a sense of depth through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and the placement of the lily and bench.

  2. step 02

    Block in the main color areas: the skin tones, the dress, the background mosaic, and the floor tiles.

  3. step 03

    Begin refining the figure's features, paying attention to the subtle shifts in value that create form.

  4. step 04

    Develop the folds and shadows in the dress, using a combination of blending and layering.

  5. step 05

    Add details to the lily and the pot, capturing their textures and shapes.

  6. step 06

    Work on the background mosaic, simplifying the pattern and focusing on the overall color harmony.

  7. step 07

    Refine the floor tiles, adding subtle variations in color and value to create depth.

  8. step 08

    Add final highlights and shadows to enhance the overall realism and mood.

color palette

primary · titanium white · yellow ochre · burnt umber · cadmium red light

secondary · viridian green · raw sienna · ivory black

Mix skin tones using titanium white, yellow ochre, and a touch of cadmium red light. Achieve the green in the mosaic by mixing viridian green with yellow ochre and white. Use burnt umber and ivory black to create shadows and darker tones.

techniques

  • ·blending
  • ·layering
  • ·glazing
  • ·scumbling
  • ·rendering

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish a strong value structure.
  • →Getting lost in the details of the mosaic background.
  • →Ignoring the subtle shifts in color and value that create form.
  • →Incorrect proportions of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·viridian green oil paint
  • ·assorted brushes (round and flat)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 16x20 inches) is recommended for beginners.

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oil painting for beginners →how to learn by studying the masters →
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