
plate no. 9316
Mary Lizzie Macomber, 1896
Recreating this painting will help students develop skills in rendering realistic skin tones and drapery folds. It also provides practice in creating a sense of depth through subtle value changes.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the figure's pose and the placement of the lily and bench.
Block in the main color areas: the skin tones, the dress, the background mosaic, and the floor tiles.
Begin refining the figure's features, paying attention to the subtle shifts in value that create form.
Develop the folds and shadows in the dress, using a combination of blending and layering.
Add details to the lily and the pot, capturing their textures and shapes.
Work on the background mosaic, simplifying the pattern and focusing on the overall color harmony.
Refine the floor tiles, adding subtle variations in color and value to create depth.
Add final highlights and shadows to enhance the overall realism and mood.
color palette
primary · titanium white · yellow ochre · burnt umber · cadmium red light
secondary · viridian green · raw sienna · ivory black
Mix skin tones using titanium white, yellow ochre, and a touch of cadmium red light. Achieve the green in the mosaic by mixing viridian green with yellow ochre and white. Use burnt umber and ivory black to create shadows and darker tones.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-sized canvas (e.g., 16x20 inches) is recommended for beginners.
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