apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·St. Thomas in Glory between St. Mark and St. Louis of Toulouse
St. Thomas in Glory between St. Mark and St. Louis of Toulouse by Vittore Carpaccio

plate no. 5686

St. Thomas in Glory between St. Mark and St. Louis of Toulouse

Vittore Carpaccio, 1507

canvas, temperaHigh Renaissancereligious paintingfiguresreligiouscloudsangelsbookslandscape
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating atmospheric perspective in the background. It also provides practice in capturing realistic skin tones and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and colors of the background, focusing on the sky and clouds.

  3. step 03

    Establish the basic values and colors of the figures, starting with the central figure of St. Thomas.

  4. step 04

    Develop the drapery folds and details of the clothing, paying attention to the light and shadow.

  5. step 05

    Add details to the faces and hands of the figures, capturing their expressions and gestures.

  6. step 06

    Refine the background details, including the landscape and the angels.

  7. step 07

    Add the final details, such as the books, the staff, and the decorative elements.

  8. step 08

    Glaze and adjust colors to achieve the desired depth and luminosity.

color palette

primary · red ochre · ivory black · titanium white · yellow ochre

secondary · ultramarine blue · burnt umber · cadmium red light · viridian

Mix various shades of skin tones using white, yellow ochre, red ochre, and a touch of burnt umber. Create atmospheric perspective in the clouds by adding blue and white to the base colors.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·glazing
  • ·atmospheric perspective
  • ·portraiture

common pitfalls

  • →Incorrect proportions of figures
  • →Flat or lifeless drapery
  • →Muddy or unrealistic skin tones
  • →Lack of depth in the background

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·gesso
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·acrylic paints
  • ·palette knife
  • ·linseed oil

optional

  • ·retouch varnish
  • ·medium gloss
  • ·palette
  • ·easel

Use high-quality acrylic paints for best results. Gesso the canvas with at least two coats before painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Adoration of the Kings

The Adoration of the Kings

Giorgione

The Annunciation

The Annunciation

Vittore Carpaccio

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Giorgione

St. Helena

St. Helena

Cima da Conegliano

St. Nicholas of Tolentino

St. Nicholas of Tolentino

Pietro Perugino

Portrait of Elizabeth Gonzaga

Portrait of Elizabeth Gonzaga

Raphael

Sibyl

Sibyl

Dosso Dossi

Madonna with Child and Saints

Madonna with Child and Saints

Raphael